Thank You to the Illustrators

Montessori Thrive • January 27, 2021

Each year the Association for Library Services to Children awards a special honor, the Caldecott Award, to the illustrator of one picture book. This coveted award has recognized some amazing works over the years and is a great way to highlight the important fact that illustrators contribute significant meaning to the art of children’s literature.

This week we share the Caldecott winners for the past decade. (By the time this article is published there will have been a recently announced 2021 winner, so keep an eye out for a new title to explore!)

2020 The Undefeated, illustrated by Kadir Nelson

Kadir Nelson illustrated this beautiful and often heart-wrenching love letter to black Americans, celebrating their achievements while honoring their traumatic history. Each page has gorgeous illustrations highlighting various points in history as well as individuals who have contributed to the world in magnificent ways. In addition to being a Caldecott winner, this book was also the recipient of a 2020 Newbery Honor and the 2020 Coretta Scott King Illustrator Award.

2019 Hello Lighthouse, illustrated by Sophie Blackall

Sophie Blackall’s Hello Lighthouse has a fascinating way of blending the simplicity of daily life with a rare window into an interesting part of history. A lighthouse keeper and his wife live alone on the island, going about the task of maintaining the beacon. In time, their family grows, and the monotony of cooking, tending to the light, and enjoying moments together plays out visually for readers to enjoy. The pages show beautiful cutaways of the interior of the lighthouse, allowing us a peek back in time.

2018 Wolf in the Snow, illustrated by Matthew Cordell

In this charming wordless book, a child is on her way home from school when she comes across a lost wolf pup as a snowstorm begins. She hears the barks of the wolf’s family in the distance, and trudges through the snow to return it safely. Afterward, she finds herself turned around in the windy and white landscape, but her new friends find a way to return the favor.

2017 Radiant Child: The Story of Young Artist Jean-Michel Basquiat, illustrated by Javaka Steptoe

Jean-Michel Basquiat grew up in Brooklyn, absorbed for hours in his own art and dreams of becoming a famous artist. His mother encouraged him and taught him that art was more than just pretty paintings. As he grew up, he explored various mediums, and became well-known first through his street art. His mother eventually became ill, but Jean-Michel always remembered her influence on him and showed his gratitude for her support.

2016 Finding Winnie: The True Story of the World’s Most Famous Bear, illustrated by Sophie Blackall

One evening, a little boy lies awake in bed asking his mother to tell him a true story. She obliges and tells the story of a veterinarian-turned-soldier who rescued a bear cub at a train station. The special bear is given the name Winnie, and eventually goes to live at the London Zoo, where she charms the heart of a little boy named Christopher Robin and his father, A. A. Milne. The veterinarian’s granddaughter turns out to be the mother telling the story, and it is, indeed, the story behind the inspiration for the famed character, Winnie the Pooh.

2015 The Adventures of Beekle: The Unimaginary Friend, illustrated by Dan Santat

A small creature lives on an island with other fantastic creatures, where they all await the moment a child will choose each as their imaginary friend. The small creature becomes impatient, leaves the island, and searches throughout the land of humans for the friend he is destined to be with. It isn’t until one day, from high up in a tree, he looks down and spots her, and they both know it was meant to be.

2014 Locomotive, illustrated by Brian Floca

This book is perfect for both train lovers and history buffs. The illustrations help readers understand what it was like in the early days of the locomotive in the United States, as its rails were laid down by hard working people and the cars snaked their way across the land. The roles of various people running the train itself are detailed, as are the journeys and lives of some of the early travelers.

2013 This Is Not My Hat, illustrated by Jon Klassen

One small fish steals the hat off a sleeping and unsuspecting large fish. Though the small fish knows what it has done is wrong, it spends most of the book defending its decision and finding a way to hide itself. Undeterred, the large fish wakes up, realizes what has happened, and sets off to retrieve what is rightfully his.

2012 A Ball for Daisy, illustrated by Chris Raschka

Sweet Daisy, a scrappy pup, adores her red ball. She plays with it, chases it, and cuddles on the couch with it. One day, her owner takes her and her ball to the park to play, where they meet a friend. Daisy and the other dog both run for the ball, but the other dog accidentally pops it. As you can imagine, Daisy is distraught, but there is a happy twist at the end. This beautifully illustrated book tells its story without any words at all.

2011 A Sick Day for Amos McGee, illustrated by Philip C. Stead

Amos McGee is a morning person, and each day he swings his legs out of bed, makes breakfast, and heads off to work at the zoo. He takes great care to visit with each of his animal friends, spending time with them in the way each individual appreciates. One day Amos wakes up sick and realizes he must spend the day at home. Missing him dearly, the animals find their way to his house and repay all the kindness he has shared with them over the years.

Warm regards,
Candice Lin, Director

info@jordanmontessori.com

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Have you ever watched a child trace the outline of a window with their finger, or carefully line up blocks into a perfectly symmetrical row? They may not have a name for what they're doing, but they are already exploring geometry. Dr. Maria Montessori understood that geometry is not an abstract school subject. It is part of the world children live in from the very beginning. A glance at the typical geometry textbook might suggest otherwise. Formulas, diagrams, and definitions can feel remote and lifeless, something to be memorized and forgotten. But look around for a moment. There is geometry in the angles of a mineral crystal and in the symmetry of a butterfly's wings. There is geometry in the legs of a chair and in the steel girders of a bridge. Children encounter it everywhere! In fact, research suggests that a basic intuitive understanding of geometric concepts may be inborn in human beings. A fascinating study of the Munduruku (an indigenous group living in the Amazon whose language includes very few spatial or geometric terms) found that both adults and children demonstrated an intuitive grasp of basic geometric ideas. This isn't something they were taught. It was already there. Montessori classrooms build on exactly this kind of inborn understanding. From Sensory Experience to Big Ideas In the early childhood years, children work with geometry through their hands. Materials like the Constructive Triangles, the Metal Insets, and the geometric cabinet give children a felt, physical understanding of shape, symmetry, and form before we introduce any formal terminology. Children gather and store these impressions. Their minds are being prepared. As they get older and certainly in the elementary years, children are ready to bring names and reasons to what they already sense. Elementary-aged children don't just want to know what something is called. They also want to know why. Why is this shape called a pentagon? (Spoiler: Its name comes from the Greek word for five: pente.) Geometry becomes a doorway into the history of language, ancient Greece, and the lives of mathematicians like Thales, Pythagoras, and Euclid, who puzzled over the same ideas thousands of years ago. This is the spirit of Cosmic Education when we pull one thread of curiosity to find it unravels into history, language, culture, and mathematics! Geometry, Algebra, and Arithmetic Woven Together One of the things that makes Montessori's approach to geometry so distinctive is that it doesn't stand alone. In the Montessori classroom, geometry is part of a three-part approach to mathematics, interwoven with arithmetic and algebra in ways that make each of them easier to understand. The Binomial Square is a good example. It presents the algebraic expression of (a + b)² = a² + 2ab + b² as a geometric pattern of squares and rectangles that children can actually build and hold. The arithmetic follows the pattern. The pattern confirms the algebra. Each one reinforces the others, and the whole thing is far more memorable than just a formula written on a board. Open-Ended, Creative, and Genuinely Fun Plus, a lot of Montessori geometry work has no single correct answer. We invite children working with the Metal Insets or Constructive Triangles to find as many equivalent figures as they can for a given shape. There may be dozens of ways to approach the same problem. This open-endedness nurtures the creative, analytical thinking that elementary children are hungry for. Plus, this quality of thinking will serve them in every area of life. Compass-and-straightedge constructions are another example. These beautiful, precise drawings challenge children in a way that is both mathematical and artistic. Many children find them deeply satisfying. What This Looks Like at Home You don't have to wait for the classroom to feed your child's geometric curiosity. Point out the shapes in a honeycomb. Notice the angles in a spider's web. Talk about the tiles on the floor or the panes in a window. Ask your child questions. Do you think that could be a triangle? How many sides does it have? These small moments of noticing are the same thing Montessori described when she wrote about preparing the environment to reflect the world children already live in. Geometry is already there. We're simply helping children see it. Come visit us in LakeCreek Montessori School to see how this unfolds in the classroom and to watch children fall in love with one of humanity's oldest ways of understanding the world.
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unfold over time. Children begin with a single frame and inset, using three colored pencils: one for tracing the frame, one for tracing the inset, and one for filling in. As their control deepens, subsequent exercises introduce the use of insets only (without frames), multiple overlapping shapes, repeated tracings of a single shape in different positions, and eventually fully free geometric design using any combination of insets, colors, and orientations. One of the most beautiful exercises is graded color. Using a single inset and a single pencil, children fill the shape with vertical lines, moving from darker to lighter (or lighter to darker) by adjusting the pencil pressure. This exercise requires an extraordinary sensitivity of touch, and when children achieve it, the result is genuinely lovely. This work can continue throughout a child’s entire time in the Children’s House. It can be relaxing and meditative, and when older children do it with great refinement, it naturally inspires younger children who observe them. Readiness and Timing Two key preparations precede the metal insets. Children should be able to trace the shapes of the geometry cabinet and the leaf shapes of the leaf cabinet using a stylus, and ideally they should be working with the movable alphabet. Timing matters. If we introduce the work too soon, before the hand is ready, it becomes too great a challenge rather than a satisfying one. The guide’s role is to observe carefully and to offer the presentation at the moment when it will be received with both readiness and joy. The metal insets are a landmark in the child’s journey toward written language. This layered preparation honors both the intelligence of the hand and the unhurried nature of true readiness. We invite you to come see the metal insets and the full breadth of our carefully prepared environment in person. Contact us to schedule a visit here in LakeCreek Montessori School or to learn more about life in our Children’s House.
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