How we Teach Handwriting

Montessori Thrive • October 27, 2019

 Handwriting or penmanship; no matter what you call it, it was likely an important part of your early education. Pressured by time and content constraints, many schools have abandoned explicit handwriting instruction. This is resulting in a generation of children who do not know how to write in cursive, and who sometimes even struggle to form legible printed letters.

  A number of scientific studies point to the importance of handwriting, including this one which concluded that handwriting (as opposed to typing or tracing) guides preliterate children toward developing reading skills.

 Interested in learning more about the scientific evidence that supports the importance of teaching handwriting as a skill? Check out this article that highlights five of the important reasons we should not allow direct instruction in this area to go by the wayside. Not only does learning handwriting early help children develop skills needed for reading, evidence suggests it makes children better writers, spellers, and leads them towards future success in academics. Higher brain density and gray matter volume have been connected to high-quality handwriting, suggesting that frequent practice may aid in neural processing. Studies also conclude that it is critical for teachers to model the correct way to form letters, but also to utilize direct instruction.

 In Montessori schools, handwriting is a critical component of children’s learning. As with so many other skills, our curriculum takes a spiraling approach, indirectly preparing children prior to direct instruction. Very young children develop the muscles necessary for a pincer grasp while they manipulate materials such as the knobbed cylinders, a Montessori favorite!

 There are two other important materials in the primary classroom that facilitate handwriting readiness: the metal insets and the sandpaper letters.

 The metal insets are wooden trays that hold a series of stencil-like shapes. Removable shapes are blue with a pink background. Some shapes have straight-lined sides while others are curved. Children trace the shapes with a pencil, giving their hands a chance to practice creating a variety of lines. Increasingly challenging activities encourage children to create different patterns with colored pencils while staying inside the original traced lines. At first glance, this may appear to be a fun art activity (which it certainly is!) but its main intention is to prepare children for their upcoming work in handwriting.

 Montessori sandpaper letters take the work a step further. Twenty-six wooden tiles are adorned with gritty, sand-textured letters of the alphabet. Children are given lessons on how to trace these letters with their fingers and say the sound. (As a side note, Montessori children are taught the sound of each letter in conjunction with its name, which makes much more sense for reading preparation.) Perhaps you have observed this in a Montessori classroom; if you have not, we highly suggest coming in to watch the magic of this work in person.

 Interestingly, children who attend Montessori schools are typically able to write even before they have begun to read. Once they do begin reading, these previously developed skills allow them to seamlessly work on the various components of literacy development simultaneously.

 Once children enter the elementary years in a Montessori school, they are required to write throughout the day. Typically, children work throughout the three-hour work period in the morning on a largely independent basis, unless they are receiving a direct, small-group lesson from the guide. During this independent work they record parts of what they do in notebooks. For example, if a child uses a card material to learn about the internal body functions of a fish (how they perform the tasks of respiration, circulation, movement, and so on), they will record at least part of this work in their notebook. For example: “Circulation. Fish have two chambers in their hearts.” This writing continues throughout the day and is directly connected to other content children are learning.

 Some classrooms include direct handwriting practice even in the elementary years. This is typically something for children to copy in their notebooks, such as a poem or a paragraph about something they recently had a lesson on.

 One final and very important reason to teach handwriting: when children learn how to form beautiful letters early on, they are better able to focus on a myriad of other things. For example, when writing a story, they can actually think about their story ideas instead of belaboring over how to write a ‘q’.

 Interested in learning more? As mentioned earlier, we encourage you to come visit the school and observe in one of our classrooms. Doing so is common practice in Montessori schools, is unobtrusive to the children, and can provide excellent insight for those who are looking to learn more about this unique educational approach.

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Have you ever watched a child trace the outline of a window with their finger, or carefully line up blocks into a perfectly symmetrical row? They may not have a name for what they're doing, but they are already exploring geometry. Dr. Maria Montessori understood that geometry is not an abstract school subject. It is part of the world children live in from the very beginning. A glance at the typical geometry textbook might suggest otherwise. Formulas, diagrams, and definitions can feel remote and lifeless, something to be memorized and forgotten. But look around for a moment. There is geometry in the angles of a mineral crystal and in the symmetry of a butterfly's wings. There is geometry in the legs of a chair and in the steel girders of a bridge. Children encounter it everywhere! In fact, research suggests that a basic intuitive understanding of geometric concepts may be inborn in human beings. A fascinating study of the Munduruku (an indigenous group living in the Amazon whose language includes very few spatial or geometric terms) found that both adults and children demonstrated an intuitive grasp of basic geometric ideas. This isn't something they were taught. It was already there. Montessori classrooms build on exactly this kind of inborn understanding. From Sensory Experience to Big Ideas In the early childhood years, children work with geometry through their hands. Materials like the Constructive Triangles, the Metal Insets, and the geometric cabinet give children a felt, physical understanding of shape, symmetry, and form before we introduce any formal terminology. Children gather and store these impressions. Their minds are being prepared. As they get older and certainly in the elementary years, children are ready to bring names and reasons to what they already sense. Elementary-aged children don't just want to know what something is called. They also want to know why. Why is this shape called a pentagon? (Spoiler: Its name comes from the Greek word for five: pente.) Geometry becomes a doorway into the history of language, ancient Greece, and the lives of mathematicians like Thales, Pythagoras, and Euclid, who puzzled over the same ideas thousands of years ago. This is the spirit of Cosmic Education when we pull one thread of curiosity to find it unravels into history, language, culture, and mathematics! Geometry, Algebra, and Arithmetic Woven Together One of the things that makes Montessori's approach to geometry so distinctive is that it doesn't stand alone. In the Montessori classroom, geometry is part of a three-part approach to mathematics, interwoven with arithmetic and algebra in ways that make each of them easier to understand. The Binomial Square is a good example. It presents the algebraic expression of (a + b)² = a² + 2ab + b² as a geometric pattern of squares and rectangles that children can actually build and hold. The arithmetic follows the pattern. The pattern confirms the algebra. Each one reinforces the others, and the whole thing is far more memorable than just a formula written on a board. Open-Ended, Creative, and Genuinely Fun Plus, a lot of Montessori geometry work has no single correct answer. We invite children working with the Metal Insets or Constructive Triangles to find as many equivalent figures as they can for a given shape. There may be dozens of ways to approach the same problem. This open-endedness nurtures the creative, analytical thinking that elementary children are hungry for. Plus, this quality of thinking will serve them in every area of life. Compass-and-straightedge constructions are another example. These beautiful, precise drawings challenge children in a way that is both mathematical and artistic. Many children find them deeply satisfying. What This Looks Like at Home You don't have to wait for the classroom to feed your child's geometric curiosity. Point out the shapes in a honeycomb. Notice the angles in a spider's web. Talk about the tiles on the floor or the panes in a window. Ask your child questions. Do you think that could be a triangle? How many sides does it have? These small moments of noticing are the same thing Montessori described when she wrote about preparing the environment to reflect the world children already live in. Geometry is already there. We're simply helping children see it. Come visit us in LakeCreek Montessori School to see how this unfolds in the classroom and to watch children fall in love with one of humanity's oldest ways of understanding the world.
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unfold over time. Children begin with a single frame and inset, using three colored pencils: one for tracing the frame, one for tracing the inset, and one for filling in. As their control deepens, subsequent exercises introduce the use of insets only (without frames), multiple overlapping shapes, repeated tracings of a single shape in different positions, and eventually fully free geometric design using any combination of insets, colors, and orientations. One of the most beautiful exercises is graded color. Using a single inset and a single pencil, children fill the shape with vertical lines, moving from darker to lighter (or lighter to darker) by adjusting the pencil pressure. This exercise requires an extraordinary sensitivity of touch, and when children achieve it, the result is genuinely lovely. This work can continue throughout a child’s entire time in the Children’s House. It can be relaxing and meditative, and when older children do it with great refinement, it naturally inspires younger children who observe them. Readiness and Timing Two key preparations precede the metal insets. Children should be able to trace the shapes of the geometry cabinet and the leaf shapes of the leaf cabinet using a stylus, and ideally they should be working with the movable alphabet. Timing matters. If we introduce the work too soon, before the hand is ready, it becomes too great a challenge rather than a satisfying one. The guide’s role is to observe carefully and to offer the presentation at the moment when it will be received with both readiness and joy. The metal insets are a landmark in the child’s journey toward written language. This layered preparation honors both the intelligence of the hand and the unhurried nature of true readiness. We invite you to come see the metal insets and the full breadth of our carefully prepared environment in person. Contact us to schedule a visit here in LakeCreek Montessori School or to learn more about life in our Children’s House.
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