Reality vs. Fantasy

Montessori Thrive • October 21, 2019

 Our Montessori Basics posts are created in order to teach parents about Montessori philosophy and curriculum. Today’s post helps illuminate how one element of the philosophy drives the curriculum. We all know Montessori classrooms differ vastly from their more conventional, traditional counterparts, and views on how children developmentally react to fantasy and reality are one of the key components of those differences.

 You may or may not already know, but Montessori schools discourage the introduction of fantasy to young children (children under the ages of 5 or 6). This means we do not use play kitchens, have a dress-up area in the classroom, or rely on books with dragons and fairies. This often evokes a visceral reaction from those new to the approach, but after learning the scientific reasoning it makes much more sense.

 Some people hold a misconception about Montessori regarding their assumption that the method stifles imagination and creativity. We wonder if this misconception stems from tangled definitions of fantasy and imagination , which are two very separate concepts. Fantasy is the stories and ideas drawn from a world which does not exist (those fairies, dragons, talking horses, etc.). Imagination is the ability to conjure images or scenarios in one’s own mind, separate from present sensorial input.

 So, what is the difference, really?

 An example of fantasy is giving wooden fruits to play with instead of real bananas to slice. Fantasy is reading a book about a talking dog rather than reading a book about the different breeds of dogs around the world.

 Imagination is a child on the playground pretending they are an eagle because they saw a live one for the first time that weekend. Imagination is children playing ‘family’ because they are driven to practice the roles that are modeled for them in their own homes.

 Imagination is inherent in the human mind. It’s where our creativity comes from, and it’s one of the ways we process learning about the amazing world around us. As Montessorians, we revel in the magic of imagination (and, as children get a bit older, we use it to our advantage, but more on that later).

 As Montessorians, we recognize that young children have a difficult time distinguishing the differences between reality and fantasy, and that blending the two within their experience can be confusing. We also know, from Dr. Montessori’s own observations, that young children typically prefer reality to fantasy. For example, in her first classroom, she had a dollhouse and read folktales. Children were far more interested in leaving those activities behind to observe an earthworm or serve tea to visitors.

 Our perspective asserts that in a young child’s life, everything they encounter is awe-inspiring and fills them with wonder. We need not tell tales of unicorns, in part because they often have a hard time distinguishing between whether they are real or not, but also because actual horses are just as fantastic to them. When the whole world is still relatively brand-new, animals, plants, the environment, and real people provide more than enough inspiration for their young minds.

 We all know that even very young children utilize their imaginations (as we mentioned in several examples above). This is a normal and natural part of development, which we value and honor. We would just rather give our students real, authentic opportunities as opposed to presenting them with fake ones. We know that a three-year-old is fully capable of learning basic food preparation skills, so we guide them and leave them with a sense of empowerment. Even a toddler is old enough to begin learning how to sweep up a mess on the floor. Rather than supplying a toy cleaning set, we make available real cleaning tools that are appropriately sized, and we guide young children as they learn to use them effectively.

 Our approach shifts once children enter the second plane of development at around age six. We know children are more able to differentiate between reality and fantasy, so we don’t discourage fantasy books (although we do provide plenty of nonfiction). We also know that children at this age, until about age 12, are highly motivated to learn through the use of their imaginations.

 While we still do not rely on fantasy to drive our teaching, we do lean heavily on imagination for older children. Several of our most important, foundational lessons about the universe, life on Earth, and humanity itself are delivered with the use of storytelling. The stories we tell are true, but we allow children to mentally picture themselves in historically critical moments. Elementary-aged children are seeking to find their own place in the universe, and their developed sense of imagination helps take them there.

 Are you interested in learning more about this topic? We would love to start a conversation, and we also welcome you to come observe in our classrooms. Most traditional schools do not allow prospective parents to come and sit in a classroom, but we believe it is the very best way to discover Montessori yourself.

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Have you ever watched a child trace the outline of a window with their finger, or carefully line up blocks into a perfectly symmetrical row? They may not have a name for what they're doing, but they are already exploring geometry. Dr. Maria Montessori understood that geometry is not an abstract school subject. It is part of the world children live in from the very beginning. A glance at the typical geometry textbook might suggest otherwise. Formulas, diagrams, and definitions can feel remote and lifeless, something to be memorized and forgotten. But look around for a moment. There is geometry in the angles of a mineral crystal and in the symmetry of a butterfly's wings. There is geometry in the legs of a chair and in the steel girders of a bridge. Children encounter it everywhere! In fact, research suggests that a basic intuitive understanding of geometric concepts may be inborn in human beings. A fascinating study of the Munduruku (an indigenous group living in the Amazon whose language includes very few spatial or geometric terms) found that both adults and children demonstrated an intuitive grasp of basic geometric ideas. This isn't something they were taught. It was already there. Montessori classrooms build on exactly this kind of inborn understanding. From Sensory Experience to Big Ideas In the early childhood years, children work with geometry through their hands. Materials like the Constructive Triangles, the Metal Insets, and the geometric cabinet give children a felt, physical understanding of shape, symmetry, and form before we introduce any formal terminology. Children gather and store these impressions. Their minds are being prepared. As they get older and certainly in the elementary years, children are ready to bring names and reasons to what they already sense. Elementary-aged children don't just want to know what something is called. They also want to know why. Why is this shape called a pentagon? (Spoiler: Its name comes from the Greek word for five: pente.) Geometry becomes a doorway into the history of language, ancient Greece, and the lives of mathematicians like Thales, Pythagoras, and Euclid, who puzzled over the same ideas thousands of years ago. This is the spirit of Cosmic Education when we pull one thread of curiosity to find it unravels into history, language, culture, and mathematics! Geometry, Algebra, and Arithmetic Woven Together One of the things that makes Montessori's approach to geometry so distinctive is that it doesn't stand alone. In the Montessori classroom, geometry is part of a three-part approach to mathematics, interwoven with arithmetic and algebra in ways that make each of them easier to understand. The Binomial Square is a good example. It presents the algebraic expression of (a + b)² = a² + 2ab + b² as a geometric pattern of squares and rectangles that children can actually build and hold. The arithmetic follows the pattern. The pattern confirms the algebra. Each one reinforces the others, and the whole thing is far more memorable than just a formula written on a board. Open-Ended, Creative, and Genuinely Fun Plus, a lot of Montessori geometry work has no single correct answer. We invite children working with the Metal Insets or Constructive Triangles to find as many equivalent figures as they can for a given shape. There may be dozens of ways to approach the same problem. This open-endedness nurtures the creative, analytical thinking that elementary children are hungry for. Plus, this quality of thinking will serve them in every area of life. Compass-and-straightedge constructions are another example. These beautiful, precise drawings challenge children in a way that is both mathematical and artistic. Many children find them deeply satisfying. What This Looks Like at Home You don't have to wait for the classroom to feed your child's geometric curiosity. Point out the shapes in a honeycomb. Notice the angles in a spider's web. Talk about the tiles on the floor or the panes in a window. Ask your child questions. Do you think that could be a triangle? How many sides does it have? These small moments of noticing are the same thing Montessori described when she wrote about preparing the environment to reflect the world children already live in. Geometry is already there. We're simply helping children see it. Come visit us in LakeCreek Montessori School to see how this unfolds in the classroom and to watch children fall in love with one of humanity's oldest ways of understanding the world.
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unfold over time. Children begin with a single frame and inset, using three colored pencils: one for tracing the frame, one for tracing the inset, and one for filling in. As their control deepens, subsequent exercises introduce the use of insets only (without frames), multiple overlapping shapes, repeated tracings of a single shape in different positions, and eventually fully free geometric design using any combination of insets, colors, and orientations. One of the most beautiful exercises is graded color. Using a single inset and a single pencil, children fill the shape with vertical lines, moving from darker to lighter (or lighter to darker) by adjusting the pencil pressure. This exercise requires an extraordinary sensitivity of touch, and when children achieve it, the result is genuinely lovely. This work can continue throughout a child’s entire time in the Children’s House. It can be relaxing and meditative, and when older children do it with great refinement, it naturally inspires younger children who observe them. Readiness and Timing Two key preparations precede the metal insets. Children should be able to trace the shapes of the geometry cabinet and the leaf shapes of the leaf cabinet using a stylus, and ideally they should be working with the movable alphabet. Timing matters. If we introduce the work too soon, before the hand is ready, it becomes too great a challenge rather than a satisfying one. The guide’s role is to observe carefully and to offer the presentation at the moment when it will be received with both readiness and joy. The metal insets are a landmark in the child’s journey toward written language. This layered preparation honors both the intelligence of the hand and the unhurried nature of true readiness. We invite you to come see the metal insets and the full breadth of our carefully prepared environment in person. Contact us to schedule a visit here in LakeCreek Montessori School or to learn more about life in our Children’s House.
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