Montessori: A Woman Who Flourished in the Face of Adversity

Montessori Thrive • May 14, 2020

Dr. Maria Montessori: You probably know her as the woman who created a unique method of educating children. You may know she was from Italy and was one of the nation’s first female physicians. What you may not know is she was a woman who consistently faced adversity throughout her life and still managed to cultivate incredible progress.


During Dr. Montessori’s childhood, literacy rates were very low across Italy. She was fortunate, however, and received a more advanced primary education than most. Still, women of her time were expected to focus on domestic work. Those that went on to professional careers were often in the field of teaching, a job she ironically said she would never pursue. She originally had an interest in becoming an engineer, but eventually decided to pursue medicine.


Montessori’s father made it clear that he was not in support of her decision, which was a sentiment echoed by other male figures in her life. Upon meeting with a professor of medicine at the University of Rome to discuss her plan, she was denied the opportunity to apply to the program. She enrolled at the university anyway to study math, science, and physics, and after several years worked hard to take and pass the entrance exams necessary to enter the medical program. Women were not allowed, and her enrollment was denied.


Not one to take no for an answer, Montessori persisted. Her efforts even garnered the support of Pope Leo XIII, and she was eventually granted admission to the medical program.


Throughout her time studying medicine at the university, Montessori faced discriminatory standards that would frustrate any one of us. As a woman, she was not even allowed to walk to school by herself, so her disapproving father walked with her each day. She could not enter lecture halls alongside her male peers and was made to wait outside until everyone else was seated. The idea of her standing alongside men during dissections of naked human cadavers was considered highly inappropriate, so she was forced to do her own dissection work alone in the evenings.


Despite everything, Montessori went on to graduate in 1896. Her accomplishments were recognized and she was asked to represent Italy at an international women’s conference. At the conference, scores of protesting women gathered outside, frustrated with the privileged bourgeois women of the conference whose ideas of feminist reform were not enough in their eyes. The women outside believed in revolution, and felt that the slow pace of reform would get in their way.


Montessori was chosen to address the crowds. She spoke passionately about the movement of feminism and how it was not bound to a specific social class. Her words were uniting, and she was well received not just by the women outside, but by the press and the other international delegates as well.


Montessori’s feminist ideals were radical for her time. She believed in equal pay for women. She believed that women who wanted to study in the areas of math and science should be allowed to, but she thought that did not excuse them from being proficient in the areas of domestic life as well. To that end, she believed that boys should be taught practical life skills in the home just as well as girls, and these beliefs carried over into her eventual development of the Montessori primary program.


Several times during her early career, Montessori was charged with overseeing children who were not deemed competent by the standards of society. Each time, she used her scientific background and approaches to develop new ways of working with the children and guiding them to exceed the expectations of others. This first happened in a psychiatric ward where she noted young children housed alongside mentally ill adults. They were forced to exist in plain rooms with nothing to entertain themselves. Gathering ideas from educators who came before her, she began to develop methods and materials to help these children learn. They did, and before long she became the director of a new school in Rome that was to educate children that typical schools were unable to, as well as to train other teachers to do so. Unsurprisingly, this venture was a huge success. On standardized tests, the children at the school were even able to perform as well as or better than their peers in typical schools.


The next phase of her life and career was a natural progression. San Lorenzo, Rome, was a very poor area in which parents who had to work during the day were forced to leave their young children at home. The children ran amok and caused general mischief and destruction. Thus was the creation of the famous Casa dei Bambini, the first Montessori school; a school within the apartment complex of the children it served. It opened in 1907 and welcomed children ages 2-6.


It was at Casa dei Bambini that Montessori developed many of her founding principles and materials for what would become the primary program. The school was such a huge success that for the remainder of its existence welcomed people from around the world who would come to see it for themselves. Countless people would visit to observe and leave astounded and inspired.


Decades later, after the Montessori method had begun to spread around the world and find enthusiastic supporters in many countries, a political shift began to take place globally. In Montessori’s own Italy, Mussolini rose to power and brought the country into a fascist regime. Somehow, the two came to an understanding: Mussolini wanted Montessori to further develop her work in Italy, and she, denying allegiance to politics of any kind, accepted the support. She felt that her work would bring about peace in the long run, while he was more focused on the fact that Montessori students presented as well-behaved and compliant. When it eventually became evident that he intended to use her schools as a vehicle to train a nation of young fascists, Montessori schools across Italy quickly closed and she fled the country.


For the next twenty years she lived in Spain and cultivated a vibrant and strong extension of the Montessori movement. Sadly, in 1936, the country found itself in a civil war and Montessori and her family quickly escaped to England.


At one point, after having lived in so many different places, she was asked about her nationality. Her response? “My country is a star which turns around the sun and is called Earth.”


Dr. Montessori was a woman who never let others stand in the way of her own progress and success. She lived through two world wars, was a staunch supporter of the early feminist movement, proved her abilities academically, and went on to dedicate her life to enriching the lives of others. She did not allow others to hold her down, and used her own success as an example of what we are all capable of.


Montessori stood, and continues to stand, as a beacon of hope for humanity. She was nominated for the Nobel Peace prize in 1949, 1950, and 1951. She died in 1952 in the Netherlands, yet her legacy carries on.


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Have you ever watched a child trace the outline of a window with their finger, or carefully line up blocks into a perfectly symmetrical row? They may not have a name for what they're doing, but they are already exploring geometry. Dr. Maria Montessori understood that geometry is not an abstract school subject. It is part of the world children live in from the very beginning. A glance at the typical geometry textbook might suggest otherwise. Formulas, diagrams, and definitions can feel remote and lifeless, something to be memorized and forgotten. But look around for a moment. There is geometry in the angles of a mineral crystal and in the symmetry of a butterfly's wings. There is geometry in the legs of a chair and in the steel girders of a bridge. Children encounter it everywhere! In fact, research suggests that a basic intuitive understanding of geometric concepts may be inborn in human beings. A fascinating study of the Munduruku (an indigenous group living in the Amazon whose language includes very few spatial or geometric terms) found that both adults and children demonstrated an intuitive grasp of basic geometric ideas. This isn't something they were taught. It was already there. Montessori classrooms build on exactly this kind of inborn understanding. From Sensory Experience to Big Ideas In the early childhood years, children work with geometry through their hands. Materials like the Constructive Triangles, the Metal Insets, and the geometric cabinet give children a felt, physical understanding of shape, symmetry, and form before we introduce any formal terminology. Children gather and store these impressions. Their minds are being prepared. As they get older and certainly in the elementary years, children are ready to bring names and reasons to what they already sense. Elementary-aged children don't just want to know what something is called. They also want to know why. Why is this shape called a pentagon? (Spoiler: Its name comes from the Greek word for five: pente.) Geometry becomes a doorway into the history of language, ancient Greece, and the lives of mathematicians like Thales, Pythagoras, and Euclid, who puzzled over the same ideas thousands of years ago. This is the spirit of Cosmic Education when we pull one thread of curiosity to find it unravels into history, language, culture, and mathematics! Geometry, Algebra, and Arithmetic Woven Together One of the things that makes Montessori's approach to geometry so distinctive is that it doesn't stand alone. In the Montessori classroom, geometry is part of a three-part approach to mathematics, interwoven with arithmetic and algebra in ways that make each of them easier to understand. The Binomial Square is a good example. It presents the algebraic expression of (a + b)² = a² + 2ab + b² as a geometric pattern of squares and rectangles that children can actually build and hold. The arithmetic follows the pattern. The pattern confirms the algebra. Each one reinforces the others, and the whole thing is far more memorable than just a formula written on a board. Open-Ended, Creative, and Genuinely Fun Plus, a lot of Montessori geometry work has no single correct answer. We invite children working with the Metal Insets or Constructive Triangles to find as many equivalent figures as they can for a given shape. There may be dozens of ways to approach the same problem. This open-endedness nurtures the creative, analytical thinking that elementary children are hungry for. Plus, this quality of thinking will serve them in every area of life. Compass-and-straightedge constructions are another example. These beautiful, precise drawings challenge children in a way that is both mathematical and artistic. Many children find them deeply satisfying. What This Looks Like at Home You don't have to wait for the classroom to feed your child's geometric curiosity. Point out the shapes in a honeycomb. Notice the angles in a spider's web. Talk about the tiles on the floor or the panes in a window. Ask your child questions. Do you think that could be a triangle? How many sides does it have? These small moments of noticing are the same thing Montessori described when she wrote about preparing the environment to reflect the world children already live in. Geometry is already there. We're simply helping children see it. Come visit us in LakeCreek Montessori School to see how this unfolds in the classroom and to watch children fall in love with one of humanity's oldest ways of understanding the world.
By LakeCreek Montessori School • June 24, 2026
unfold over time. Children begin with a single frame and inset, using three colored pencils: one for tracing the frame, one for tracing the inset, and one for filling in. As their control deepens, subsequent exercises introduce the use of insets only (without frames), multiple overlapping shapes, repeated tracings of a single shape in different positions, and eventually fully free geometric design using any combination of insets, colors, and orientations. One of the most beautiful exercises is graded color. Using a single inset and a single pencil, children fill the shape with vertical lines, moving from darker to lighter (or lighter to darker) by adjusting the pencil pressure. This exercise requires an extraordinary sensitivity of touch, and when children achieve it, the result is genuinely lovely. This work can continue throughout a child’s entire time in the Children’s House. It can be relaxing and meditative, and when older children do it with great refinement, it naturally inspires younger children who observe them. Readiness and Timing Two key preparations precede the metal insets. Children should be able to trace the shapes of the geometry cabinet and the leaf shapes of the leaf cabinet using a stylus, and ideally they should be working with the movable alphabet. Timing matters. If we introduce the work too soon, before the hand is ready, it becomes too great a challenge rather than a satisfying one. The guide’s role is to observe carefully and to offer the presentation at the moment when it will be received with both readiness and joy. The metal insets are a landmark in the child’s journey toward written language. This layered preparation honors both the intelligence of the hand and the unhurried nature of true readiness. We invite you to come see the metal insets and the full breadth of our carefully prepared environment in person. Contact us to schedule a visit here in LakeCreek Montessori School or to learn more about life in our Children’s House.
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